Decoration   A Medieval Painting in the Making
 
 

On this page:

Pencil drawing
and incisions

 
 
 
 
Drawing of the motifs

Once the motifs had been drawn on the ground, the outlines were incised with a needle. This gave the painter the guide he needed once the original drawn design had been obscured by paint. The engraved design on the St Olav frontal was done in relatively
 
fine detail, but the correspondence between the lines and the final painting is not always complete. As an example, the engraved outline of the dead king's body shows that the original intention was to paint him wrapped in a shroud, not a loincloth.
Drawing and engraving the motifs

To the top of this page
Pencil drawing   Incisions
The motifs were drawn with pencil on to the finished ground. To maintain accuracy we used slides of the original which were taken in raking light to better show the incised drawings. The slides were then projected on to the new panel thus enabling us to reproduce the original incisions with a pencil.   When the drawing was completed, we incised the lines with a needle.
Pencil drawing   Incisions
 
 
To the top of this page      
The Norwegian Institute for Cultural Heritage Research  
 
 
  To NIKUs english homepage  


Editor:
Grete Gundhus

Webmaster:
webmaster@niku.no