This project aims to enhance understanding of the vibrant Catholic wooden church art that has survived in Norway in perspective of Northern Europe from the medieval period (1150 to 1550). It focuses on reconstructing the original visual impact of these sacred objects, many of which have suffered from decay, corrosion, and obscured colour balance over time. By analysing the rich palette gilding techniques and pigments historically used, the project seeks to reveal the aesthetic qualities that characterized these artworks in their original state.  

Restoring lost visual elements

The methodology includes synthesising existing research, conducting in-depth examinations and scientific analyses of physical works, and employing advanced digital technologies to recreate the impact of lost visual elements. This comprehensive approach will yield insights into trends revealed in the use of materials and technology in medieval painterly practices.  

Furthermore, the project prioritises accessibility by updating existing databases and presenting findings through an exhibition and publications aimed at both academic and public audiences. By revitalising our understanding of these historical sacred objects, the project contributes to art history and cultural heritage scholarship, while fostering appreciation for the role of the church art in the complexities of Scandinavian medieval identities and their communal and spiritual lives.   

 The project period is 2024 to 2026 and is a collaboration between researchers at NIKU and the Museum of Cultural History, Oslo.